Friday, December 7, 2012

Perfecting the Tapeless Workflow

Guest Blog by Tom Miller, Big Pictures Media
There often comes a point in a shoot day, or week, when the value of the footage we’ve shot exceeds that of the equipment we’re using to shoot it!
You look at the tapes and start to think of the work that was done to capture the footage,
the lighting, the heartfelt storytelling by the subjects, the efforts of the actors and production team.
Or what about the one-time events – the release of the weather balloon, the breeching whale, the explosion, the expensive aerials?
The tapes become – “The Money.”
They’re the only thing I know that can start out the day with a value of twenty bucks, and end the day worth thousands!
So what happens when we’re asked to shoot onto CF Cards, hard drives, P2, SxS, or flash media? I can tell you for those of us who have been shooting twenty years or more, it’s a little unnerving. The footage seems so vulnerable there – bits and bytes of it floating around on little cards and drives. Now granted, tapes have problems too. But at least at the end of the day, you have something physical to look at!
The challenge then is to get over our neuroses and fully embrace the tapeless workflow, and make it as safe (or even safer) than shooting onto tape or film.
Here’s how we do that here at Big Pictures:
First we always have at least two portable drives on the set. One of them can be ours, and one can be the client’s. We carry Lacie 500GB Rugged Firewire drives (or similar). With us, it’s just part of the package when we’re shooting with our nanoFlash, 5D, P2 camera, F3, or any number of our other tapeless configurations. We have created a “Media Management Kit” that includes all the adaptors, drives, and cables we need – along with a Macbook Pro loaded with Shotput Pro.
Then we simply download the cards to one of the drives via a laptop, and then copy it over to another. Or download to both drives concurrently (there’s some great software that helps with this – like Shotput Pro.) One drive goes with (or gets shipped to) the client, and the other stays with us. Once the first drive makes it to the edit suite and is backed up, we can release the second drive.
Now this of course begs the question of who does all this downloading and backing up in the middle of the busy shoot day. If it’s a big enough shoot, and there is a lot of footage, it’s great to have a Media Manager on the set who can handle this. This can be anyone from a well-trained PA to a Media Manager. Sometimes the producer takes on this role. Otherwise, it’s up to the camera crew. We just build it into the day.
Our HDX900-nanoFlash combination gives you the best of all worlds – as we can concurrently roll on tape, and the nanoFlash’s CF cards. This gives you the tapeless workflow with the extra protection of tape backups and archiving.
If done properly, tapeless production can be an amazingly efficient way to work. But for those of us who have worked with film and tape for so many years, it takes a little getting used to. Instead of handing the client a box of 30-minute cassettes at the end of the day, you hand them a drive. And if something happens to that drive, you always have a backup – which is more than you can say for that box of tapes!
Big Pictures is a Denver, Colorado-based media production company specializing in providing high-end production services to the film and television industry – including fully-equipped camera crews. Written by Tom Miller. Copyright 2010, Big Pictures Media, Inc. All Rights Reserved. Reprinted with permission

Thursday, November 15, 2012

Melissa Yonkey - Hairstylist

Melissa Yonkey is one of the most trusted hairstylists in the business and has been living in Colorado for nearly 20 years. Anyone who says they don’t have talented crew isn’t doing their homework.
Her new website (http://melissayonkey.com) helps display her 30 year career spanning from high profile salons, to film ,TV & celebrity clientele. Her clients have included Jennifer Lopez, Christina Applegate, Lyndsey Lohan, Rose Byrne, Woody Harrelson & Seth Rogen. Her specialties involves styling wigs, hair extensions, as well as creating numerous fashion looks & characters for her various jobs.
Not only is she “Department Head Hair” right now on “Dallas,” her clients include Jennifer Lopez, Christina Applegate, Lyndsey Lohan, Rose Byrne, Woody Harrelson and Seth Rogen. Credits include Monster in Law, Shallow Hal, Zombieland, Superbad and Charlie’s Angels – Full Throttle.
Though she travels extensively for work, Melissa calls the mountains west of  Colorado Springs her home. Get in touch for your next film, tv, commercial or advertising production.
To see her credits, click here.

Monday, September 17, 2012

Santa Fe Film Festival - Special Event!

Don't miss out!

The Santa Fe Film Festival presents Without Borders. A Special Screening & Reception with the filmmakers and cast at the New Mexico History Museum 

Tickets are ready for sale. Only $30.00 and going fast!

You can purchase them through Paypal on line or by coming into the Santa Fe Film Festival office located down town Santa Fe.

Get more news about this event and buy your tickets on our web site at...
http://www.santafefilmfestival.com/2012/08/17/santa-fe-film-festival-presents-without-borders/
Or come to the Santa Fe Film Festival Office (M-F 11am-2pm)
60 W. San Francisco St. Suite 307 (In the Arcade building Next to Rooftop Pizza)

(click for U-tube trailer

Please contact me with any questions or for more options on how to purchase your tickets to Without Borders.

--
Thank you,
Nani Rivera
Office Manager
SANTA FE FILM FESTIVAL
505.988.7414 x102
nani@santafefilmfestival.com
officemanager@santafefilmfestival.com